about
Jennifer James is a multi-textural artist whose creative journey began in early childhood. She has been crafting pottery since 13, experimenting with hand-building techniques. Among her most treasured works is a series of dancing pottery bird women, blending female forms with avian elements. Her sculptures often feature whimsical or bold interpretations of busts and torsos, reflecting her deep connection to nature.
In 2006, she moved to the South Pacific, where limited access to pottery led her to explore oil, acrylic, and encaustic painting, as well as mixed media. She studied pattern making and fashion design at the University of the South Pacific in Fiji, where she also explored traditional mark-making.
Now back on the West Coast, she continues designing clothing and repurposing fabric scraps into handcrafted birds, incorporating symbols, clay faces, and chest pieces. By merging textiles with sculptural art, she transforms discarded materials into expressive, meaningful creations.
artist statement
This series of wall sculptures reflects my exploration of pottery and textiles, bringing both real and mythical owls to life. Inspired by the great horned owl—interpreted both literally and imaginatively—these sculptures embody the mystery owls have carried throughout history. Each piece combines ceramic elements with found and repurposed textiles, creating layered, textural compositions that feel both ancient and otherworldly.
My work is deeply influenced by nature, mythology, and the practice of upcycling materials. Birds, especially owls, serve as my primary muse, while textile arts and Raku pottery techniques enhance the aesthetic and tactile qualities of each sculpture. Across cultures, owls symbolize wisdom, prophecy, and spiritual messages, adding a rich narrative layer to my work.
