about
Trish had many careers; award winning printer and graphic designer, development worker, and jewellery designer. She lived in West Africa for twenty years working and researching traditional handicrafts. These careers may have been very different – even geographically – but similarities such as repetition, the deft touch of the human hand and attention to the smallest detail were a common narrative. Through the study of nature she connects to the larger world around her, taking herself out of the insular act of creation, and stepping from observation into action. Education is a lifelong process and she returned to university in 2012. It was here that her research interests began to fully develop into a full blown art practise. She is fascinated by how the portrayal of the human face has changed throughout history and is working on a series based on this idea
artist statement
I have always been a maker and a lover of nature. My grandmother taught me to embroider when I was 8 and this led to a lifelong passion for textiles. Through the study of people and nature, I connect to the larger world around me, taking myself out of the insular act of creation, and stepping from observation into action. When I think about the theme that runs through my work, I come back to the act of seeing, of observation.
My focus is on the practice of tapestry weaving. I have found the process of weaving to be a totally absorbing process. The repetitive action of the over and under of the thread manipulation, combined with the constant creativity of deciding shape, colour & all other details fully occupies both sides of my brain in balance, creating a profound sense of presence and joy. I can’t imagine a day without spending some time weaving.
