how mundane materials led to working in a state of unknowing
Amanda Wood tells us about how her latest exhibition started with a single microfibre cloth and grew into a multi media exploration.
review: patterns of influence
MA candidate in the department of Art History at UBC, Bahar Mohazabnia, visits and reviews Patterns of Influence, Rachel Ashe’s recent installation of ornamental arrangements, grids and geometric designs that the artist has cut by hand into paper.
meet Amanda Wood
In anticipation of her latest exhibition, Interwoven, Amanda Wood has taken the time to tell us about herself, her inspiration, her audience and other projects.
hand in hand with technology
Rachael Ashe’s cut works from paper are often met with amazement – How is it possible that something so repetitive and precise is created by hand? In her latest blog entry for the CCBC Rachael reflects on this common perception of her work and the role technology plays in her practice.
sorrel goes to bishopsland
Sorrel tells us about her experience during her residency at Bishopsland Educational Trust
step into the RG studio
Rodney and Rindala from RG Handcrafted goods in Vancouver tell us about their careful process to create unique leather products
slow art vs. fast fashion II
In a follow up to her first CCBC blog, Nadine Flagel furthers our conceptual understanding of snags, sustainability and creativity.
slow art vs. fast fashion
Artist Nadine Flagel talks about works-in-progress that explore the rag yard as a source of crisis and creativity
