The Craft Council of BC’s social enterprise is an integral part of Granville Island and the city, plays an important role in culture forming in BC, and carries a variety of types of value. This last post of the series look at several ‘essentials’ of the social enterprise.
The Craft Council of BC’s (CCBC) social enterprise is a carrier of value, apart from traditional forms of value. In the last article, we talked about the symbiotic and important connection between craft and culture. This article looks at three different ways the social enterprise carries value.
Humans across borders and languages have engaged with craft to express knowledge, thoughts, truths and ways of life; in essence, culture. A definition of culture is a way of life, especially general customs, values and beliefs of a particular group of people at a particular time. In the last blog post, we looked at some of the mechanics of CCBC’s social enterprise. This blog post looks at some of the roles the social enterprise plays in local and contemporary culture.
The Craft Council of BC (CCBC) is a meeting place, a resource centre, part of a movement, an important part of Vancouver’s culture and structurally, is a charitable non-profit in the arts sector. Historically, our organization has had three spaces that we work through: our offices, a social enterprise, and a gallery. Today, the social enterprise takes the form of a consignment shop, located beneath our offices on Granville Island.
Allan Cusworth writes about his experience during the summer demos at the CCBC shop, and the joy of sharing his practice.
In her third and final entry during her ceramics education, Ilana Fonariov tells us about the lessons learned and the journey home.
The Earring Show: demonstrating the timeless connection between craft and culture.
in anticipation of the lauch of Digital Craft Archive, archival practitoner and project developer Tatiana Povoroznyuk discuses the theory behind a community-led digital archive.
Archival summer student Tatiana Povoroznyuk reflects on the historic relationship between 60s and 70s counterculture and ceramics in BC, asking why these histories should be preserved and what a “pot that transforms” means in 2021.
Over the course of summer 2021, CCBC hired a student to archive hundreds of prints that have accumulated over three decades at New Leaf Editions. Through the raffling of prints, summer student Jane Schiedel came to recognize a serious issue.
